Emily Hawes ©

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  1. Place & Site, 2-day workshop with L4 BA Fine Art Students

    On an overcast day in April 2024, a small group of L4 fine art students and staff visited Brownsea Island in Poole 

    Harbour to drift, wander, listen and test out place-responsive strategies employed by artists such as Katrina Palmer, Robert Smithson, Mira Calix and Patrick Keiller. 

  2. Ninety-Nine One Minute Sculptures with BA Fine Art students as part of 'Everyday Gestures' workshop, AUB, 2023

    In this workshop, we worked with limited materials to explore ideas around gesture, the everyday, living sculpture, performance and temporality. Our key material was our bodies and objects that we found/ sourced. Everything that we made existed temporarily, and we explored how photographic documentation is key to artworks that are ephemeral or performance-based. 

  3. The Atossa Press,with Lenka Clayton & BA Fine Art students Kristina Foot & Maria Ayoma, 2023

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    The Atossa Press is a mentoring project which connects international artists with undergraduate students studying Fine Art at Arts University Bournemouth (UK). 

    The projects responds to the over-saturation of digital communication, which was particularly heightened within the context of successive global lockdowns and instead, favours the slow correspondence of hand letter writing & the irregular rhythms of the international postal service.

  4. Publication Campus Drift produced from Dérive workshop with BA Fine Art students at AUB, 2023

    Campus Drift documents multiple dérives undertaken by first year BA Fine Art students during a workshop titled ‘Place and Site’ in 2023.

    Each student was given a disposable camera with HP5 Ilford film (27 exposures) and a set duration of 30 minutes to undertake their campus dérive. 

  5. Documentation from Performance workshops with 1st year BA Fine art students at Arts Uninversity Bournemouth, 2022

  6. Recipes for Renewal, collaboration with AUB 1st year fine art students, documentation of trip to Lower Hewood Farm, 2022

    Recipes for Renewal, collaboration with AUB 1st year fine art students, documentation of trip to Lower Hewood Farm, 2022

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      Recipes for Renewal, collaboration with AUB 1st year fine art students, documentation of trip to Lower Hewood Farm, 2022

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    Instead of remaining a source for nourishment, food has been transformed into a commodity: something to be speculated on and profiteered from. This leads to rising food prices and creates social instability everywhere. Since 2007 there have been fifty-one food riots in thirty-seven countries, including Tunisia, South Africa, Cameroon and India. The food system is badly broken on every measure that counts: sustainability, justice, and peace. Today, an alternative has become imperative for our survival, so let us begin by asking the question, “Who feeds the world?”  – Vandana Shiva (2016)  

    Across 3 days in May 2022, AUB fine art students took part in a series of activities designed to re-assess how we cultivate, grow and consume food, including: a film screening of 'Seed:The Untold Story', a reading group and a trip to Lower Heywood Farm, an organic small holding in Dorset. The writer Deepa Bhasthi, who is based in Kodagu in Southern India, gave a talk about her research into the politics of food and associated mythologies. 

  7. Collages made by L4 BA Fine Art students during 'Painting IRL' workshop, 2021

  8. Documentation of work by AUB Fine Art student Lydia Marshall

    Documentation of work by AUB Fine Art student Lydia Marshall

    The Atossa Press is a mentoring project, connecting international artists with undergraduate students studying Fine Art at Arts University Bournemouth (UK). 

    The project responds to the over-saturation of digital communication, which has been particularly heightened within the context of the global lockdown; instead favouring the slow correspondence of hand letter writing & the irregular rhythms of the international postal service.

    For the first edition, fine art students Jess de Villers and Lydia Marshall have been in correspondance with Phillipines-based sibling duo DAKO-gamay. 

  9. A conversation with Crisis members about Eastside Projects. Made to coincide with Production Show: Artists House, Rosalie Schweiker (2017)

  10. Gasworks, reconstruction event

    Please see Gasworks website for more info

  11. Workshop with Rosanna Catterall, 2016 ACE Funded